Mopped up in National identification

A couple of hours ago I got mopped up in the zone 4 mass National Identification exercise, the lastphase for the Greater Accra Region. Ghanaians residing in the following areas of the region; ie Adabraka, Tudu, Asylum Down, Osu, Ringway Estate, Labone, Cantonments, La, Burma Camp, Teshie, Nungua, Alajo, Pig Farm, Kotobabi, New Town, Kokomlemle, Roman Ridge, Airport Residential Area, Dzorwulu, Abelenkpe, Shiashie, Okponglo, Legon, Mempeasem, Maamobi, Nima, and Kanda have until next Thursday 11^th February to register if they have already missed the first four days of the exercise. Lucky me, I took advantage of a Mopping Up exercise in another community outside the ones I’ve listed above, I missed the train at my residential area.

The National Identification registration exercise has been characterized by long queues and sporadic skirmishes since it started last November. Apparently this is not an unusual phenomenon to law abiding Ghanaians who always have to spend long hours waiting in winding “lines” to get their particulars filed. The last time a similar thing occurred was in 2008 during the registration for the voter’s identification card and seemingly during the presidential election in December. Folks who live in largely populated areas sometimes wake up at dawn to go queue up in wait for registration officers.

To avoid squabbles from trouble makers who do not appreciate the “luxury” of queues, a “common-sense” man in the community who lives close to the centre may decide to assign unsolicited numbers as and when the line keeps maturing. Occasionally one is replaced by a proxy, when he is tired or has some house-hold duties to carry out but comes back just on time to register when its his turn after getting a “flash” on his mobile phone. Else the waiting would be in vain and if you’re “lucky” the best thing to do is to perhaps start all over again from the back of the queue. You probably do not want a fight, do you?

These tendencies often discourage me to partake in the process until I’m convinced that I will spend not more than 10 minutes at the registration centre. So like I always wanted, today I spent approximately 15minutes to go through the entire process of getting my particulars filled in and having my passport-sized picture taken. At the end of the process I was given a printout to vet the details I had provided at the first point of call desk. There, an earlier identification document was requested it can a baptismal card or certificate, birth certificate, birth weighing card, voter’s ID card, passport, driver’s license, SSNIT card, National Health Insurance ID card, sworn affidavit, immigration permit, dual citizenship certificate, naturalization certificate. But I was reliably informed that persons without any ID documents will be registered on oath, and voila! Here’s my passport. I thought it was interesting to be asked where my parents were born (in my father’s case I wasn’t too sure, maybe I lied) and who my next of kin is. In my moment of soliloquizing, I thought, “yo! Lady, it’s too early for a young single guy to talk about "who will take after me?" especially when I would not be receiving any freebie or largess after the process when I’m no more.” I suggested my junior sister, Kiki. I took my height from a wall with chalk markings, 158cm it read.

Now here I am facing the lady in the video, submitted the filled out sheet of my particulars to her from which she keyed in the data on to her laptop. Obviously this is the reason for the long queues; the lady was too slow at typing. But in Ghana things are done in reverse, and even with the advent of computers and technology, “so-so” bureaucracy! Here I think my data should have been directly entered on to the computer at the first desk to avoid double processing and time wastage. Both my left and right index fingers and thumbs were digitally scanned twice; my signature was required on a digital plate by way of an electronic pen. And then I straightened up for the camera. No hustle!

I’ll get my national ID card later in the year when a general announcement is made about its readiness. I foresee looming long queues again. This is Ghana; nothing is done without long queues. If you doubt, check out the public toilets in the slums every morning.

Unlike the voter’s ID registration where you’re required to register within the constituency of your residence, one can register at any place in the country. But if you miss the mass registration phase of this exercise, plans are afoot for Regional Offices to remain opened for your sake.

Jahcoustix-German-born reggae musician live in Accra

As the reggae lover that I am, I wouldn’t miss any reggae show in Accra especially when it’s an international artiste visiting Ghana to perform live. Tuesday I was present at the Alliance Francais to unwind to the reggae music of Jahcoustix.

Jahcoustix started it all in East Africa in Nairobi-Kenya in 1992 where he found the music that would give his life a clear musical direction, reggae.
In Kenya, he spent his free time wandering through the downtown streets of Nairobi, where he would get his first contacts to Rastafarians and to reggae music.

With his accompanying band, he’s done about 500 live concerts around the world.
Just like most reggae artistes Jahcoustix sings about societal challenges and love. His music was well received by all who made it to the free live show at the open air theatre within the Alliance Francais premises. Most of the attendants being expatriates working in Ghana, tourists and students.

Performing “invitation”, which I suppose was the hit track of the night, the audience invited themselves onto the dance floor to boogie.
Before Ghana, the band has already been to Dakar (Senegal), Abidjan (Ivory Coast) and will be in Lagos as I publish this post.

Ghariokwu Lemi in Ghana

Album sleeve illustrator, Ghariokwu Lemi made a return to Ghana after 33yrs of his last visit with late Afro beat King Fela Anikulakpo Kuti in 1976. With his deft fingers, he singularly designed 26 cover sleeves out of Fela’s discography of about 70 records that were produced. To him that feat was his call to fame comfortably strapped to Fela’s progress, starting with the “alagbon close” album that was released in December 1974. At the time, he was only 18yrs and the love story between him and the man, whose name “Anikulakpo” means death in my pocket, begun.

"Those works specifically helped to brand Fela as a rebel, a rebel leader, a revolutionary, political activist, a humanitarian and otherwise,” Lemi said in his introductory remarks at the Alliance Francais Arts Exhibition Gallery in Accra to showcase his artworks as part of his world tour programme, the last place before making it to Accra was the in UK where he also exhibited at the Bass Festival 09 in June.

The exhibition in Accra was a prelude to an afrobeat musical concert dubbed “AFROBITTEN” organized under the auspices of the French Embassy in Ghana, which featured Wunmi(a former backup vocalist for Fela), Ayetoro Band (put together by Nigerian composer and also former pianist for Fela, Funsho Ogundipe) and Atongo Zimba(a Ghanaian musician who also spent 4yrs studying music in Fela’s shrine).
At the Arts exhibition gallery, Lemi was poised to share his experiences and interact with Ghanaians and expatriates who had come to admire his works and also to hear stories about Fela; a lecture he said he was ready to give for 5hrs running non-stop for anyone interested.

He also recollected how he became an instant star in Nigeria, “for the first time in Nigeria, after the press reviewed Fela’s music, they also reviewed the album cover and I became an instant star.”
Ghariokwu Lemi has a variegated style of painting; laying out a selection of his portfolio of designs in Accra, one would have easily suggested that those pieces of art works on display were done by different illustrators. Interestingly the 53yr old man started his profession as an album sleeve illustrator in 1973 by self-tuition, researching, asking questions, trying out new techniques and blueprints he encountered. He has been able to develop this eclectic style without attending any arts institution. Since then the humble and self-made man has gone on to design over 2000 album covers both in Nigeria and internationally till date.

Upon invitation by pidgin music rapper, Wanlov the Kobolor, Ghariokwu Lemi reappeared in Ghana with fond memories and feeling at home. Then living in New Jersey, Kobolor sought after Lemi’s services via email on completion of his afro-beat inspired debut album, Green Card, which tells the thoughts of an immigrant in the United States.
Indeed in 2007, after meeting up with Kobolor in New York at “Fela-bration”, the green card album sleeve illustration became the latest addition to his works for a Ghanaian musician after designing for the late King of Highlife E.T Mensah, Bunzu Soundz, and Hedzelo Sounds (in 1976 for the acclaimed Ghanaian music producer, Faisal Helwani, who passed away in 2008). Ghariokwu Lemi told the AficanCourier that he’s currently working on the album cover sleeve for Yabba Funk, another Ghanaian group based in the UK.

Before leaving Accra for lagos, Lemi did not hide his admiration and respect for Ghana and Kwame Nkrumah, whose Centenary celebration is currently underway.
“Kwame Nkrumah laid a strong foundation for Ghana and it can never be completely scattered, I hope all African leaders learn from this great man”, he said giving the assurance to return more often to interact with young people as an effort to exchange knowledge.

In praising the country, he began with an advise and a wish, “Ghana, keep on doing what you’re doing, you’re a beacon light in West Africa”, he said,” you’re a good example to follow, I wish my country Nigeria will follow, because positivity, genuine awareness, integrity and consciousness towards whatever we do is a very vital fibre for human production and development.

Ghariokwu Lemi has upcoming exhibitions that he says will outdoor his new form of art to replace himself after 35yrs of professional work, starting from Lagos-Nigeria on October 3rd and 16th at UK’s Black History Month.

A literary night of words @ Smoothy's

Smoothy's Pub in Osu was the place to be last Friday for people who appreciate poetry and literary works. It was a night dubbed Expressions, bringing together writers,poets,bloggers and media men under one roof to read extracts from their works while they enjoyed different flavours of smoothies.

Expressions attracted an unprecedented appreciable audience for on a night that Ayesha Haruna Atta,the prolific young writer, read an extract from her new book, Hamattan Rain. It was her idea for such garthering and many commended her for putting up the event. Talented rapper and music producer, Mensa, was the MC, sharing light jests to draw laughter from an indulging audience.

Mutombo the poet, gave a good account of himself with a spoken word performance he calls, ''Another Black Boy" making the audience hang on to it till the recital was over.

Esi, another young writer and popular blogger on Ghana's blogosphere who writes under name " Wo Se Ekyir"-what your mama never told you about Ghana, read a short story to everyone's fascination. r

From Kobolor comes RED CARD to Ms Naa

Wednesday, the sensational and uniquely witty pidgin rapper, Wanlov the Kobolor gave hints to Yfm's Ryse N Shyne morning show hostess, Ms Naa, of his soon to be released RED CARD album after the success of his debut GREEN CARD with the instant "Kokonsa" hit. Kobolor was in the company of companion Mensa, the talented hiplife/hiphop lyricist based in the UK, currently in Ghana working on a movie project titled 'Coz Ov Moni' starring Kobolor and being directed by Panji Anoff, CEO of Pidgen Music.

The duo who call themselves F.O.K.N Bois were in the studios of the Asylum Down-based radio station together with GH's spoken word performer,Mutombo, who calls himself "the unofficial member" of the group. The Wednesday edition of the Ryse N Shyne show was an exciting and a fun-filled one as the threesome shared wild rib-cracking stories and experiences in an informal chat with the African-American presenter. Oftened she burst out with laughter the whole period, in what seemed to have been an extended version of the show an extra 15minutes after sign off time.

On the spur of the monent, Wanlov mentioned "red card", totally clueless about what it meant,Ms Naa also known as Naa Adjorkor inquired,"what is that? what is it? what's red card?" she asked Kobolor with alacrity, knowing the self styled Afro-beat rapper's capability to coin witty terminologies. According to Kobolor, "red card is an album i'm working on to release soon, one of the four albums i'll be releasing before the end of the year", he said. He also hinted that 'red card' was going to follow in the same direction in terms of rhythm and style like the 'green card',a 20 track record co-produced by Mensa, Kweku Ananse, Seven & Bosco. It deals with visa issues and the musings of an immigrant in America. The red card,Kobolor says," is in connection with the red card in football".

Humbly in his closing acknowlegement, Kobolor revealed, how he owed thanks and gratitude to Eddy Blay Jr. of the defunct rap group, Native Funk Lords(NFL) and current co-host of Overdrive on Yfm, for inspiring his pidgin style of rap music. Mutombo the Poet, who has also been spending studio time recording his debut album of spoken word gave no hints on the date of release. He has been billed together with host Mensa, who he says is his "bestest friend",to perform at a literary night of words labeled Expressions at SMOOTHY's in Osu on Friday 21st August.

Kobolor and Mensa (F.O.K.N Bois) are also set to perform live at Alliance Francaise on Saturday August 22, a show dubbed "AFROBITTEN" which will also feature WUNMI, AYETORO & ATONGO ZIMBA.

Ryse N Shyne airs monday-friday between 6am-10am on Yfm 101.7mhz hosted by Ms Naa,the only female host of a morning show in Ghana at the moment,and CEO of the Afrocenchic clothing line and handmade crafts. Ryse N Shyne is ably produced by "producer extra-ordinaire",Erama, popularly known as E-Boogie.

Maker Faire Africa '09 ends in Accra

Maker Faire Africa '09 ended yesterday at the Kofi Annan Centre of Excellence in ICT. MFA 09, a celebration of ingenuity,innovation and invention was the theme of the faire which was the first of its kind hosted by Ghana. The 3-day novel technology event had been running in Accra from the August 14th-16th bringing together makers and inventors from Kenya, Liberia, USA, Nigeria, India,Tanzania and many other countries.

The aim of the Maker Faire Africa event is to create a space on the continent where innovations, inventions and initiatives can be sought, identified, brought to life, supported, amplified and propagated. According to the organisers, "while the ICT space has developed a head of steam in some parts of Africa, a “maker philosophy” is yet to occur".

Speaking to NewsAfricanGhana, a member of the organising team Emeka Okafor said, "technology goes beyond the computer, we are bringing together people who can create and fabricate things, this is what Africa needs."

Participating in the faire,it is obvious that Africa has talent that is untapped, most creations were targeted at solving basic problems. Amongs the exhibitors was Tei Huagei, an artist who uses waste polythene to manufacture rubber clothes, a project he calls not-a-waste-recycle-art. Tei talks about how his work his a loud statement against waste polythene in Ghana. His works are bought and resold at BlackHat Studios in Mexico.

From the Accra Polytechnic campus, a group of young men put together a radio transmitter of 150watts which they built to broadcast live on fm 101.7mhz to about 3km from the faire grounds. Their station slogan was "the power of NSBE". NSBE they said, meant, National Society of Black Engineers. "if you are a black man or student like me,then you automatically belong to this society" they said.


The next MFA has been penciled to take place in Kenya next year but the date is yet to announced.

NKRUMAIST DECLARATION

As part of efforts to revive the now lacklustre CONVENTION PEOPLES PARTY(CPP),the left-winged party of the first President of Ghana, DR. KWAME NKRUMAH which led Ghana to independence in 1957 on the 6th of March. Some stalwarts of the party has come together to issue out a document they call the NKRUMAIST DECLARATION. Below is the full text.

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Ghana is once more at the crossroads and the options are clear. We can take the path to the entrenchment of our neo-colonial status where illiteracy, poverty and underdevelopment flourish or opt for the Nkrumaist path which leads to the building of an egalitarian society in which misery, inequality and poverty will be banished.

Today, more than 53 years after the victory of the forces of nationalism and socialism over harsh British colonial rule, the masses of Ghana continue to suffer unemployment, lack of access to health, education and housing. They are unable to feed and clothe themselves adequately. The old colonial predators now masquerading as the international community and respectable businesses have turned our people into nothing more than drawers of water and hewers of wood.

The dream of the Osagyefo at independence that the people of Ghana would be the ultimate beneficiaries of the exploitation of their natural resources has not been realized yet. The forest resources, gold, diamond, manganese, rivers and human power of Ghana continue to be exploited largely for the benefit of the ruling elite and their surrogates in the Metropolitan countries.

Over the last 30 years the national currency has been devalued by more than 30,000 percent, industries established by the Convention Peoples Party (CPP) have been auctioned off to friends and relatives of the powerful, the peoples’ access to health and education has been substantially reduced, subsidies have been withdrawn from social services and the liberalization of internal and external trade has had dire consequences on local production.

As avowed Nkrumaists we cannot give up hope because we know that our prescription for national economic rejuvenation, raising of political conscieness and full social integration is efficacious. It is possible to build a new Ghana based on the solid foundations of social justice and democracy with the correct application of Nkrumaist principles. We can and must make Ghana a prosperous modern nation leading in the struggle for the full integration of African states into a continental union government.

We note however that the current state of the Convention peoples Party (CPP) does not engender hope amongst the working people and the progressive forces. The CPP has become rusty. It has lost its internal cohesion and can no longer be seen as the vanguard of underprivileged people struggling for an equitable share of the national cake and against the blatant violations of their rights.

The rebirth of the CPP must necessarily involve a deep commitment to the principles of Nkrumaism, the re-affirmation of the politics of inclusion (unity) and the construction and strengthening of party structures at all levels of organization.

We call on all Nkrumaists wherever they may be to rally around the call for the rebirth of the party. This task can only be achieved with a leadership that is truly imbued with a clear understanding of Nkrumaism and is willing and able to make the needed sacrifices. The Trojan horses must not be given space in our midst, lest they spring surprises and destroy our organization from within. If indeed we are all Nkrumaists, then there should be no difficulty in working together to liberate our people from the clutches of poverty and underdevelopment.

The time to build the new CPP is now. We cannot afford to delay any longer. The masses are hungry and the state is decaying. We can and must struggle to end the neo-colonial destruction.

SIGNED BY PARTICIPANTS
1.Comrade K. Sintim Aboagye
2.Professor Francis Nkrumah
3.Comrade Kofi Amponsah
4.Professor K. Ayisi
5.Comrade Kwame Wiafe
6.Madam Lucy Enin
7.Dr. Gamal Nasser Adam
8.Comrade A. Owusu Gyimah
9.Comrade Kwesi Pratt, Jnr.
10.Comrade A. A. Adongo
11.Comrade Michael Nunoo
12.Dr. S. O. Asante